My guest this week is Robin Weaver and she’ll be talking about a most unusual sort of horse. She’s a professional computer geek who started writing extensively when she traded in her ski boots for flip-flops and moved to North Carolina. When she’s not writing, you can find her with her toes in the sand or appreciating nature in the Blue Ridge Mountains. Her novels, Blue Ridge Fear, and Artifact of Death, are currently available via Amazon, Barnes and Noble, and the Wild Rose Press.
She also writes paranormal romance under the alias Genia Avers and her novel FORBIDDEN MAGIC was a 2013 PRISM finalist. A Golden Heart finalist and winner of the prestigious Daphne du Maurier contest, she has one constant: a HEA.
Originally, Forbidden Magic was a story about vampires—vampires living on a planet without homeotherms (warm-blooded creatures). I wrote the manuscript when vamps were hot, thinking I’d given the old Dracula story a unique twist. Not so much. By the time my manuscript made it to an interested publisher, all the life had been sucked out of vampire books.
Still, the editor liked my concept and asked if I could change my characters to another life form. “Sure. No problem,” I said, making the sign of the cross.
Stop laughing. J
I needed a dozen or so crosses and even more wooden stakes (and lots of wine), but I managed to convert the vamps into álfar and Dökkálfar (light and dark elves) without sacrificing my characters or plot. What I didn’t have to change were my equestors.
“E-what?” you ask. The original (and final) version of Forbidden Magic had a medieval feel. You can’t write that period without including a non-mechanical form of transportation, i.e., horse-drawn carriages. Unfortunately, with no warm-blooded animals on the planet, I had a problem.
So I did what Houston would do—I built a horse. I envisioned a cross between a flexible carousel horse and R2-D2. In the book, I purposely left descriptions of my hybrid horses vague. I wanted readers to create their own unique images of the magnificent beasts.
Naturally I couldn’t call these non-horses horses. My first pass at naming the animals was Equinators—but that sounded too much like something involving a roto-rooter, so I kept the root of the word, “Eq” and combined it with adventurers. With a little tweaking, the EQUESTOR was born.
I try to make my heroines very different from the author (me), i.e., not “younger and improved” versions of myself. However, in Forbidden Magic, Subena shares my love of horses.
He’d heard she was an excellent rider but doubted the poor creatures he’d seen in the Mydrian stables could even manage a trot. Maybe if he let her ride a real equestor, Subena would thaw a bit. Hell, he’d give her his steed if she’d smile at him like that.
And once I created the beast, I had a lot of fun with the word:
Still, I tried to keep the hybrid as close to the real animal as possible, even hinting the equestor might be descended from a “real horse.”
Arkton grinned. “There’ve been animals here as long as I can remember. Legend has it Rothart’s grandfather bred one of the local mares with a real horse, brought from earth to this planet.”
Subena suppressed a smile. Gatslians had a legend for everything—there was no such thing as a horse.
Creating the equestor was one of the most enjoyable parts of my novel-completion process. Writing is hard work, so if you have the opportunity, have some fun and create your own equestor. J
Robin Weaver (a.k.a. Genia Avers)
Subena’s people are dying. To obtain the crystals the álfar need to survive, she agrees to a treaty with the hated Gatslians. King Rothart has but one demand—she must wed his son, Prince Kamber. Subena vows the marriage will be in name only, but she is ill prepared for an attraction stronger than the ancient magic lying dormant in the land. Add to the chaotic mix a former suitor, a phantom lover, attempted murder, and an invasion by hostile troops, and Subena’s world isn’t what it used to be. Ancient skills might shield her body, but she possesses no power to protect her heart. Can she fight his former paramour and keep the seductress from laying claim to the man who’s made his imprint on Subena’s soul? Or is love as much of an illusion as a return to the planet Earth?