dressage

Dancing Horses

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I’m back! My Forewarning Cover 2hiatus from blogging and writing lasted longer than I expected but I’m getting back in the saddle again. Today I’m starting with a short post highlighting some delightful equestrian performances.

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FOREWARNING on sale for $2.99 for this weekend only on Amazon and B&N

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The first is from the Equitana Hop Top Show 2015 and features Alizée Froment and her horse Mistral du Coussoul doing a lovely freestyle, performing high level (Grand Prix) movements, with no bridle.

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The next one is a Billy Ray Cyrus video of a horse line dancing to his Achy Breaky Heart song. Unfortunately I couldn’t find a You Tube video of the whole dance, so you’ll need to belong to Facebook to see more than this short bit.

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Facebook link:  https://www.facebook.com/BillyRayCyrus/videos/633553463445547/?theater

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At the 2006 World Equestrian Games the wonderful mare Blue Hors Matine surprised the staid dressage world by doing a marvelous freestyle to Hip Hop music.

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Hope you enjoy the videos and come back again next week.

Categories: animals, dressage, riding | Tags: , , , | 20 Comments

Riding or Equitation

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After some time off, I’m getting back on the blogging horse again. Recently someone asked me about a term for teaching riding, and that seemed like a good topic for today’s blog. When we talk about teaching the horse something, we usually call that training. The horse is in training or he’s training the horse. When we focus on the rider, it’s called equitation. This refers to much more than kicking to make them go or using the reins to turn or stop. It concerns the position of the rider’s body, legs, hands and head, how she handles the horse, and the effectiveness of her cues.

Most people are unaware of how much a rider affects the horse’s balance. A 150 pound rider equals 15 percent of a 1000 pound horse’s weight. Fifteen percent may not sound like much, but it is a significant amount, particularly when it is moving around. If you’ve ever carried a toddler in a backpack, you’re aware of how much their weight shifting can affect your balance. The same is true of a horse, though not to quite the same extent since they have four legs. Nevertheless, a lopsided load, whether human or a pack, will make the animal work to keep its balance, make it harder to do some things and may affect its soundness.

hack_eqIdeally, a rider sits straight and tall, but with a relaxed back to absorb the movement of the horse. His head, shoulders, hips and heels should be in a straight line, except for hunt seat (jumping). This applies across all disciplines, English and Western. The stirrup length may vary, depending on the type of riding. For jumping, the stirrups are shorter. In today’s show ring the stirrup length is long for dressage, saddle seat and Western. But for trail riding, most people use somewhat shorter stirrups to give themselves the ability to rise out of the saddle if necessary.

Hunt seat

Hunt seat

In addition to being straight, a rider must also be still or quiet in the saddle. Every movement she makes causes the horse to have an easier or harder time doing his job. Imagine how difficult it would be for the horse to jump a fence with a 150 pound weight shifting back and forth. Or, one of the common things we see, going downhill with the rider swinging side to side. Of course, some movement is required but keeping your weight centered is very important. In jumping, the rider moves up and forward to free the horse’s back, but still remains over the center of gravity. In roping, the cowboy swings his lasso and leans forward but keeps his weight even.

Being still implies quiet movements. A good rider communicates with his horse subtly, with few visible cues. A well-trained horse will respond to the lightest of aids and does not need to be jerked and treated harshly. The more invisible the aids, the better the equitation.

Recently I happened upon an old John Wayne movie, The Undefeated, which also starred Rock Hudson. Wayne knew how to ride, of course, but wasn’t particularly pretty in the saddle. Not so Hudson. He was playing a Southern Confederate gentleman and he really looked the part on a horse. Tall, still, elegant, he was the epitome of a cavalry officer. Look the movie up sometime, if you want to see an interesting contrast.

Hope this is helpful to those who are writing stories with horses in them and interesting to others.

Categories: animals, Cowboys, dressage, Horses, hunting, riding, rodeos, teaching riders, Trail riding, Uncategorized | Tags: , , , , , , , | 1 Comment

Dressage For The Average Rider

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International level dressage is wonderful to watch and attracts large audiences who delight in the dancing and skipping horses doing intricate figures. But as enjoyable as it is to observe, it’s even more fun to do. Of course at the high levels, the riders are full-time professionals and the horses worth millions of dollars. That doesn’t stop thousands of average horses and riders from joining the fun.

Dressage is the French word for training and refers to the basic training all horses should have. It’s not limited to English riding; the principles apply to Western too. In fact, you often see demonstrations of Western dressage.  The aim is to develop a relaxed, attentive, supple horse that responds effortlessly.

One of the nice things about dressage is it is an absorbing activity that you can do alone without being part of a team—although a trainer is vitally important. You can compete if you want, but the training pyramid provides levels to achieve and can give you a sense of accomplishment without having to show. It takes years to move up the levels, so there is always more to learn and accomplish. This feature is probably why dressage has become so popular with educated, professional women. They like something that requires concentration, dedication and measurable goals.

palominoYou can do dressage with any horse but one with the correct conformation and native ability will make it easier to advance up the levels. You want one with a good mind, a willing disposition and the physical ability to do what you ask. A horse specifically bred for dressage (usually a warmblood) can be pricey, but you can also find ones with a lot of talent in other breeds. Off-the-track Thoroughbreds often are good choices because of their work ethic and athleticism. My OTTB mare Glory was quite talented and trained to Third Level.

One way to verify how far you’ve come in your training is to compete. The U.S. Dressage Federation defines a series of “tests” at five advancing levels, starting with Training and culminating in Fourth Level. (The international level tests are overseen by FEI (Federation Equestre International) Each level has four tests that list the series of movements required at different spots in the dressage court. At non-championship shows usually one judge sits at the long end of the arena and gives a number score for how well each movement was performed and also comments on how it could be improved. Once you have achieved acceptable scores at one level, you can go on to the next. (Unless you are extremely dedicated and put in a lot of time, you usually advance one level per year.)

Here is a video of a Training level, Test 1 ride.
http://www.youtube.com/watch?v=9Wrl3GVOgMQ

Compare it to this Second level test.
http://www.youtube.com/watch?v=TB1YAUd0clI

In addition to the basic tests, you can also compete in a Freestyle at each level. This is a performance set to music where you demonstrate all the required moves for that level, but with your own choreography. Watching horses do the same moves over and over at the lower levels is only interesting to other dressage riders, but audiences of all kinds love the Freestyles.

Here is a video of an Amateur Adult Rider doing a delightful freestyle.
https://www.facebook.com/video.php?v=826846100706629&fref=nf

Categories: animals, dressage, dressage competition, Horses, Olympics, riding, Thoroughbreds, training horses, U.S. Dressage Federation, Uncategorized | Tags: , , , , , , , , | 10 Comments

Dressage

 

The-Spanish-Riding-School-image

 

The last time I posted I talked about the Olympic equestrian events: Dressage, Eventing and Show Jumping. I’ve done articles on Eventing and Show Jumping previously, so today I thought I’d take on Dressage – my personal favorite.

If you’ve been interested in horses for a time, you may have seen the old Disney movie The Miracle of the White Stallions. It tells the tale of how the Spanish Riding School of Vienna survived the Second World War and how General George Patton helped save the Lipizzan breed of horses. During the film the School puts on a performance for Patton and demonstrates the beauty and precision of Classical Dressage. I fell in love with the idea of dressage then, but it was many years later before it became popular in the US and I was able to take instruction in it. As much as I have loved doing many other types of riding, dressage became my favorite.

Dressage is a French word for training. Its aim is to develop the horse’s athletic ability and a willing attitude using a standardized progression of exercises that challenge but don’t overtax. The ideal is a calm, supple, attentive horse that responds to its rider’s slightest commands (aids). Both horse and rider should appear relaxed and effortless. One of the fun things about dressage is that there is always more to learn and achieve.

Training starts at the basic walk, trot, canter level and slowly progresses to the Olympic level. It takes several years for the horse to develop the strength and athletic ability to do the high level movements. The first objective is to teach the horse to move in a regular, even, rhythmic way. This is important in everything they do. The second is to achieve relaxation, being comfortable and willing. Then comes willing Contact, Impulsion (pushing, carrying power), and Straightness. The last level of the training pyramid is Collection. This is where the horse has developed enough strength to transfer some of his weight to his hindquarters, which frees his front end to do the difficult movements we see at international competitions.

Piaffe

Piaffe

 

The Piaffe is a trot in place with high front knee action and very little forward motion. The horse “sits” slightly, bringing his hind legs under and lifts his front.

 

 

 

 

Passage

Passage

 

The Passage is an elevated, slow motion trot, usually with a slight pause in the movement.

 

 

 

 

Extended trot

In an Extended Trot or Canter, the horse reaches forward with his front legs, covering a large amount of ground, in contrast to a collected trot or canter, which has high knee action and doesn’t move as much.

Tempis

 

The Tempis are flying changes at the canter and, depending on the competition level, are done every one to four strides. In Grand Prix competition (Olympics), the horses look like they are skipping as they change every stride.

 

Half pass

Half pass

 

The Half-Pass, done at the both the trot and canter, is a diagonal movement where the horse goes sideways and forward.

 

 

 

The last high level movement is the Pirouette where the horse canters around in a tight circle with one hind leg almost stepping in place.

High level (Grand Prix) dressage can be exciting to watch, especially the Freestyles, where the moves are choreographed to music. Look for Dressage in the next Olympic broadcasts and you will see some beautiful dancing horses.

Here are a couple of videos that show them dancing to music.

www.youtube.com/watch?v=DptNN7CdfSM

http://www.youtube.com/watch?v=zKQgTiqhPbw

 

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Spanish Riding School:allfamouswonders.comPiaffe: “Andalusier 1 voll versammelt”. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons -Passage: “WC07b” by nickage (User:Fotoimage) – Own work. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons -Extended trot: “WCLV07f” by Fotoimage – Own work. Licensed under Public domain via Wikimedia Commons -Tempis: “WC07d” by nick – Own work. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons –

Piaffe: “Andalusier 1 voll versammelt”. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons –
Passage: “WC07b” by nickage (User:Fotoimage) – Own work. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons –
Extended trot: “WCLV07f” by Fotoimage – Own work. Licensed under Public domain via Wikimedia Commons –
Tempis: “WC07d” by nick – Own work. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons –
Half pass: http://www.equine-world.co.uk

 

Categories: dressage, Horses, Olympics, riding, Show jumping, Spanish Riding School, training horses, Uncategorized | 6 Comments

Horses at the Olympics

Olympic rings

If you were at like me you probably spent the second and third weeks of last February watching the winter Olympic Games. Ice skating, skiing, luge, bobsled, snowboarding, and a host of other events kept us glued to the TV, reveling in the skill and determination of the competitors. In 2016, we’ll again have the chance to stare in awe and root for favorites when the summer Games are held in Rio de Janeiro. My primary interest, of course, will be in the equestrian events. In years past only small snippets were shown by the networks, but now with wonders of the internet, we’ll be able to see much a larger number of competitors and get a major horse fix.

The earliest Olympics in ancient Greece were tests of skills that warriors needed and since horses were a vital part of battle, they included horse and chariot races. The modern Olympics began in1896 but it wasn’t until 1912 that the equestrian events we’re used to seeing were included. Horses are the stars of three events – dressage, eventing, and show jumping – and play a part in a fourth competition I wasn’t aware of before. The Pentathalon has a show jumping phase where competitors ride horses they’ve never handled before over a challenging jump course.

dressageEquestrian events are among the few where men and women compete against each other. This wasn’t true initially. Up until 1952, only military officers and “gentlemen” were allowed to take part. Starting with the Helsinki Games, all men could participate in all the events and women could ride in Dressage. In 1956 women were permitted to do Show Jumping and finally in 1964, they began to compete in Eventing. Now they contend on equal terms in all the riding disciplines.

Dressage starts with a Grand Prix test that all the teams take part in. The scores of the top three riders on each team are added together to get the team score and placing. Then the top 25 go on to do the Grand Prix Special test to compete for individual medals. The thirteen best then compete in the Freestyles. These are the crowd pleasing performances where the horses “dance” to music. The scores from these two tests determine the individual medalists.

Cross-countryEventing originated as a three day contest to prove the quality and endurance of cavalry horses. Today it still consists of three separate competitions: dressage, cross-country jumping and show jumping. On day one, the dressage demonstrates the horses’ suppleness, training and obedience. Because these horses are not specialists, they do somewhat less demanding tests than the dressage stars and their tests are scored by listing the number of faults. So the lower the score, the better. On day two, they show their skill and courage on a demanding cross-country course with difficult and often scary solid fences. The Show Jumping phase on day three demonstrates their fitness and soundness. Again the riders vie for team and individual medals.

medium_515302767The last equestrian event is Show Jumping, the exciting attraction that usually sells out. Everyone likes watching the horses and riders tackle the very challenging and technical jump course. Again, because these horses are specialists, the jumps are bigger and harder. The team and individual medals are well earned.

Have you watched the Olympic equestrian events? Which one do you like best? Have you ever attended an Olympics? I know I’d love to go to Rio in 2016. How about you?

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Olympic rings: photo credit: <a href=”https://www.flickr.com/photos/joncandy/7267452456/”>joncandy</a&gt; via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by-sa/2.0/”>cc</a&gt;

Dressage horse: photo credit: <a href=”https://www.flickr.com/photos/jessicamulley/3118654629/”>Jessicastjohn</a&gt; via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by-nc-nd/2.0/”>cc</a&gt;

 

Categories: animals, dressage, Horses, Olympics, riding, Show jumping, Three Day Eventing, Uncategorized | Tags: , , , , , , | 4 Comments

Gaits – Not Gates

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Today I’m going to talk about how horses move—their gaits. Contrary to what the movies usually show, horses do more than walk or run flat out. In fact the most commonly used gait of all, the trot, is only seen if they are pulling carriages. So what is the reality?

You’re probably familiar with the horse’s four natural gaits—walk, trot, canter and gallop. But did you know that some horses have six or more gaits? I’ll talk about the basics first.

small_10020981376The walk is a slow four-beat movement. First a rear foot moves, followed by the front foot on the same side, then other rear foot followed by its front. With this pattern three feet are always on the ground providing a smooth, easy ride. Horses vary greatly in size, shape and energy, but an average walk is about four miles per hour. Some have much faster walks, in the six mph range.

A good rider knows to keep his/her body still and quiet so as not to disturb the horse’s balance. If you allow yourself to move in the saddle, the horse has to constantly deal with a shifting weight that can interfere with his equilibrium. Therefore, it’s important to keep your upper body still—but not rigid. Your pelvis needs to move with the movement of the horse’s body. At the walk, this means allowing each side of your pelvis to move forward and back independently as first one rear leg steps forward and then the other. At a normal, casual walk this is usually no problem. At a speed walk, it’s surprising how tiring that can be.

The trot is a faster two-beat gait where opposite pairs of legs move at the same time. small_369623604As each pair goes forward, the horse’s back drops a bit, which causes the rider to feel a jar when the feet land and the back rises again. Learning to ride a trot comfortably is a beginner rider’s hardest task. The easiest way is to learn to post, which means rising out of the saddle and sitting back down in rhythm with the gait. Some horses do a slow jog that has very little bounce and is much easier to sit, but it doesn’t cover a lot of ground. If you want to go a long distance fairly fast, you’ll be doing most of it at a trot. This applies whether you are riding or being pulled in a carriage or coach. The trot is the “working” gait for going places. Something to keep in mind if you write about people traveling distances.

small_2431865552The horse’s third gait has a couple of names. If you are riding English style it’s a canter, but it’s a lope when you ride Western. Either way, the canter is a three-beat leaping gait with a moment of suspension, but is much smoother to ride than the trot. Here the rider needs to let her whole pelvis move forward and back with the movement. The canter or lope is a controlled fast pace that allows you to cover ground quickly, for a shorter period of time.

The gallop or full out run is the fourth standard gait and used for racing or fleeing a predator in the wild. It’s a four-beat, stretched out, ground-covering canter that can only be sustained for a relatively brief period of time—one to two miles. Despite what you see in the movies, horses can’t run fast for long periods. Usually the rider stands in the stirrups when galloping.

In addition to these standard gaits, there are a number of additional gaits specific to certain breeds. These horses are unusual and fun and I’ll talk about them next time.

Here’s video about gaits:

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Race photo credit: <a href=”http://www.flickr.com/photos/kubina/185495090/”>Jeff Kubina</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by-sa/2.0/”>cc</a&gt;
Horse walking photo credit: <a href=”http://www.flickr.com/photos/63942879@N05/10020981376/”>Katherine Mustafa Photography</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by/2.0/”>cc</a&gt;
Horse trotting photo credit: <a href=”http://www.flickr.com/photos/nikkis_pikkis/369623604/”>nikki_tate</a&gt; via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by-sa/2.0/”>cc</a&gt;
Horse cantering
Categories: dressage, Horses, nature, outdoors, Racing, riding, Thoroughbreds, training horses, Uncategorized | Tags: , , , , , | 6 Comments

Eventing – Not For the Faint of Heart

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Cross-country

Three-Day Eventing is an Olympic and international equestrian sport that originated in Europe as a competition to demonstrate the fitness of cavalry horses. In those days, the armies wanted horses that looked impressive on the parade grounds, could travel across any kind of terrain at speed and for long distances, and then be ready and able to continue the next day. To test these abilities they developed a three day competition—in essence an equestrian triathlon.

The first day the horses demonstrate their dressage skills, performing intricate movements requiring high levels of training and obedience. The second day they show their courage, endurance, and ability to handle all kinds of difficult situations by completing a challenging cross-country course. The last day they prove their fitness by doing a precise and demanding stadium jumping round.

These tests developed into national competitions, culminating in becoming an Olympic sport in 1912. Initially, only military officers were allowed to compete. In 1952 male civilians became eligible, but women weren’t allowed into the club until 1964. Equestrian sports are among the few where men and women compete head-to-head. With a couple of exceptions—rodeo and racing—male strength is not a particular advantage and both sexes can be equally successful.

Eventing has become a popular activity for all levels of riders. You can start out on very easy Beginner Novice, Novice or Training courses, then move up to Preliminary, Intermediate and Advanced. You can also take part in one day events known as Horse Trials.

A horse and rider compete either as individuals or, at the international level, also as members of a team. Scores are computed on the numbemedium_2568292756r of faults a pair collects. As in golf, the lowest score wins. You acquire faults through mistakes in the dressage test and refusals, course mistakes or taking too long in the two jumping portions. Three refusals or a fall of horse or rider will result in elimination. Horses are also eliminated if they don’t pass the daily vet inspections.

The most important qualifications for the horse and rider are courage and fitness. The horse has to trust her rider and be willing to go where asked, sometimes jumping blindly, not knowing what is on the other side. Of course, the rider has to be equally brave, trusting that the horse can do what he asks and will keep him safe.

One year I served as a jump judge at a local Intermediate championship. This involved sitting by a large wood pile jump and watching to see if any horse refused, totally missed the jump, or fell. While I had done some cross-country for fun, I’d never tried anything the size of that wood pile. The sight of those horses tearing downhill and then having to slow and gather themselves to jump had my heart in my throat a good part of the time. Unfortunately, one rider did not get her mount back enough so the pair did not make it and fell hard. The rider got up sooner than the horse. There was no question of it doing anything more that day. That was the inspiration for a similar incident in my book Forewarning. My heroine Kasey Edwards is a former Three Day competitor.

Just as vital is the athletic ability of both. Top ranked riders cross-train, ride multiple horses daily and are extremely fit. They also put in long hours conditioning their horses to be able to finish the grueling second day.

medium_8123864734Unlike most other Olympic sports, Three-Day Eventing started as an Olympic event and then developed as a more general contest. The Badminton Horse Trial in Great Britain was the first major non-Olympic event and is still considered the most prestigious. The premier Three-Day in the US in the Rolex, held at the Kentucky Horse Park in Lexington, Kentucky.

While the limited TV coverage of Eventing in the Olympics used to concentrate on jumping falls, the increased public interest has resulted in actually being able to see portions of all three events. Below are a couple of videos.

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Three Day Eventing:  http://www.youtube.com/watch?v=_Fqjo9EST8I
2012 Rolex:  http://www.youtube.com/watch?v=nfYJjdggyq0
The Cross-Country Ride to London: http://www.youtube.com/watch?v=Q8aShtqmJ_o

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photo credit: <a href=”http://www.flickr.com/photos/21795222@N06/2568292756/”>clickerjac</a&gt; via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by-nc-nd/2.0/”>cc</a&gt;
photo credit: <a href=”http://www.flickr.com/photos/zlatko/8123864734/”>Zlatko Unger</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”http://creativecommons.org/licenses/by-nc-nd/2.0/”>cc</a&gt;

Categories: dressage, Horse Trials, Horses, Kentucky, nature, Olympics, outdoors, riding, Three Day Eventing, training horses, Uncategorized | Tags: , , , , , , , | 15 Comments

FOREWARNING Excerpt

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Another 5 star review for FOREWARNING

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Magical.
“A great mystery to the very end. Lots of great realistic characters made this book fun and the main character’s talents believable.”

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Forewarning Cover

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Grieving and guilt-stricken after her husband’s suicide, Kasey Martin has closed her energetic healing practice and retreated to her Oregon horse ranch. One night, she rescues a badly injured man, and against her better judgment, uses her neglected skills to save his life. This starts her on an unexpected journey of healing and danger.

Complicating her life is Jim Bradley, an old friend who has long been in love with her and wants her to return to her work. When criminals looking for her patient invade the serenity of her world, she must use her skills to save all three of their lives.

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Excerpt:

With each step down the deserted hall to the waiting room, the band around Kasey’s chest drew tighter. The frantic desire to scurry back to her ranch, to run from what she had done, almost made her turn around. She suppressed the urge. She needed to find out if the man would be okay, to find out if she had helped—or hurt—him.

She stopped in the ladies room to wash the blood off her hands and clean up a bit. Her mother’s brown eyes and heart-shaped face stared back at her from the mirror as she dried her hands. But the auburn hair she smoothed and gathered into a low ponytail again was her father’s legacy, as was her empathic sensitivity. He possessed an uncanny ability to understand animals and deal with their problems and had been known as a “horse whisperer” long before the term became popular.

His ability to feel emotions extended to people as well as animals, for which Kasey was grateful. Her breath caught as she thought of his gentle love and support. He’d helped her understand and deal with her sensitivity, showing her it was a gift rather than a curse. How often during this past year she’d wished she could turn to him for help, as she had as a child. That wasn’t possible. He had his own pain to deal with, and she couldn’t burden him with hers.

Leaving the restroom, she continued down to the waiting area. Tonight was the first time she’d been to the hospital since Brian’s death, and the small, chair-filled lounge stirred up painful memories. Memories of the man who had been her life. To her relief, the room was empty, and she chose a seat in a corner where she wouldn’t be easily seen.

Exhaustion dropped her into the chair with unexpected force. She tried to focus on the television in the corner; instead the night’s events kept playing over and over in her mind. The blood on the man’s too-pale face. The raw, charred skin of his palm. Her hands focusing healing energy. Her hands focusing healing energy.

Her legs began a restless dance, so she jumped up to walk off some of the tension. What she really needed was to go for a run. Since that wasn’t possible, she returned to her chair and started a deep breathing exercise—in for four counts, hold two, out for seven counts and hold for two. Eventually the rhythmic pattern took effect. Her eyelids closed, and her head flopped to the side in a restless doze.

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Jim Bradley paused at the door of the waiting room and gazed at the sleeping woman. Damn, she’s lovely. Not that Kasey would agree right now, of course, given her mud-stained jeans, green rubber boots and ratty sweatshirt. To him, she looked wonderful. He let the desire he always suppressed when around her thrum freely through his body. For this moment, he didn’t have to be on guard. For this moment, he could just enjoy looking at her and contemplate a time when he could let her know his heart. Soon, he hoped. Soon.

Kasey shifted in her chair and Jim quickly brought his feelings under control, directing his thoughts to the surgery he had just completed. Now was not the time to reveal his yearning. She had enough to deal with tonight. He pulled his shoulders back and headed into the room.

“You’re going to a get a heck of a stiff neck if you stay kinked like that much longer.”

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Available on Amazon

 
Categories: alternative medicine, dressage, energetic healing, healing, Horses, Mystery, nature, outdoors, Paranormal, riding, romance, Romantic suspense, suspense, Uncategorized | Tags: , , , , , , , , , , , , | Leave a comment

FOREWARNING – Free Sept. 19-23

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FOREWARNING – Free on Amazon, Sept. 19-23!!

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Forewarning Cover

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Grieving and guilt-stricken after her husband’s suicide, Kasey Martin has closed her energetic healing practice and retreated to her Oregon horse ranch. One night, she rescues a badly injured man, and against her better judgment, uses her neglected skills to save his life. This starts her on an unexpected journey of healing and danger.

Complicating her life is Jim Bradley, an old friend who has long been in love with her and wants her to return to her work. When criminals looking for her patient invade the serenity of her world, she must use her skills to save all three of their lives.

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Excerpt:

With each step down the deserted hall to the waiting room, the band around Kasey’s chest drew tighter. The frantic desire to scurry back to her ranch, to run from what she had done, almost made her turn around. She suppressed the urge. She needed to find out if the man would be okay, to find out if she had helped—or hurt—him.

She stopped in the ladies room to wash the blood off her hands and clean up a bit. Her mother’s brown eyes and heart-shaped face stared back at her from the mirror as she dried her hands. But the auburn hair she smoothed and gathered into a low ponytail again was her father’s legacy, as was her empathic sensitivity. He possessed an uncanny ability to understand animals and deal with their problems and had been known as a “horse whisperer” long before the term became popular.

His ability to feel emotions extended to people as well as animals, for which Kasey was grateful. Her breath caught as she thought of his gentle love and support. He’d helped her understand and deal with her sensitivity, showing her it was a gift rather than a curse. How often during this past year she’d wished she could turn to him for help, as she had as a child. That wasn’t possible. He had his own pain to deal with, and she couldn’t burden him with hers.

Leaving the restroom, she continued down to the waiting area. Tonight was the first time she’d been to the hospital since Brian’s death, and the small, chair-filled lounge stirred up painful memories. Memories of the man who had been her life. To her relief, the room was empty, and she chose a seat in a corner where she wouldn’t be easily seen.

Exhaustion dropped her into the chair with unexpected force. She tried to focus on the television in the corner; instead the night’s events kept playing over and over in her mind. The blood on the man’s too-pale face. The raw, charred skin of his palm. Her hands focusing healing energy. Her hands focusing healing energy.

Her legs began a restless dance, so she jumped up to walk off some of the tension. What she really needed was to go for a run. Since that wasn’t possible, she returned to her chair and started a deep breathing exercise—in for four counts, hold two, out for seven counts and hold for two. Eventually the rhythmic pattern took effect. Her eyelids closed, and her head flopped to the side in a restless doze.

***

Jim Bradley paused at the door of the waiting room and gazed at the sleeping woman. Damn, she’s lovely. Not that Kasey would agree right now, of course, given her mud-stained jeans, green rubber boots and ratty sweatshirt. To him, she looked wonderful. He let the desire he always suppressed when around her thrum freely through his body. For this moment, he didn’t have to be on guard. For this moment, he could just enjoy looking at her and contemplate a time when he could let her know his heart. Soon, he hoped. Soon.

Kasey shifted in her chair and Jim quickly brought his feelings under control, directing his thoughts to the surgery he had just completed. Now was not the time to reveal his yearning. She had enough to deal with tonight. He pulled his shoulders back and headed into the room.

“You’re going to a get a heck of a stiff neck if you stay kinked like that much longer.”

******

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Free on Amazon, Sept. 19-23!!

Categories: alternative medicine, dressage, energetic healing, healing, horse personalities, Horses, Mystery, nature, outdoors, Paranormal, riding, romance, Romantic suspense, suspense, Uncategorized | Tags: , , , , , , , , , , , , | 2 Comments

The Art of Breathing for Two

Imported Photos 00004 Joining us today is Susan Schreyer, the author of the just released Shooting To Kill, the fifth book in the Thea Campbell mystery series. Set in the real-life town of Snohomish, Washington, her books feature amateur dressage rider and solver-of-crimes, Thea Campbell.

For those of you not familiar with dressage, it is a type of very precise, formal riding that you see in the Olympics and in the Disney movie The Miracle of the White Stallions.

When not working diligently on her next book, Susan trains horses in the art of dressage and teaches people how to ride them. Today she talks about one of the exultant moments every rider hopes to have. Take it away Susan!

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I was watching a video the other day—Edward Gal and Totilas (European and World Champions, with the highest scores ever achieved) in a freestyle ride that earned the pair a score in excess of 90%—and was struck by something rather profound which, of course, like any truth is not new, but re-experienced.

That truth is: good riding, really good riding, transcends the correct application of the aids and the ability to perform the various movements.

Think about that for a moment.

Do you agree? I’ll bet you do.

Now, tell me this: what is the defining moment—the transcendent point in time where technically proficient grows a soul and becomes art? How do you recognize it when you see it, feel it?

I believe it is that moment when you cease to be the controller of the other creature, and become one—a symbiotic relationship, if you will. You can see it in the relaxation, the fluidity of both parties. There exists a grace that, when I see it (even on video), can reduce me (and likely a couple other of you) to tears. It’s that powerful. You cannot mistake it, you cannot pretend it isn’t there. When witnessed, it hits you in the heart.

When you experience that moment it is like nothing else, no matter how technically wonderful, that has come before. It is an ease that lies at the level of breathing, an effortless balance that requires only intention to shift direction or gait, an open door that allows access to levels of power at once heady and frightening when first encountered.

It’s the Buzz Lightyear moment: to infinity and beyond.

The Holy Grail of dressage.

If you’ve been riding for a while, and trying to improve, there is a good chance you’ve experienced this—even if for a brief moment six months ago. Quite a number of riders are familiar with that transcendent point. Perhaps it was fleeting, something that happened by “mistake.” Or, if you’re very lucky (not to mention diligent) it was something you achieved and can return to at will. Nevertheless, it is that joining of our souls to that of our four-legged companions that keeps us going, keeps us striving, keeps us getting our butts out to the barn when we’d rather be curled up with a glass of wine and a good book.

This possibility to become one, to join with our noble friend, gets us into the saddle when our bones are too old and our bodies hurt. We smile when we remember the times we touched the dream, and we willingly try again for just one more taste.

Happy riding, people.

If you’d like to see the video Susan is talking about:
http://www.horseandcountry.tv/episode/edward-gal-moorlands-totilas-record-breaking-wdm-kur

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300x480 72dpi shooting to killWhen Thea Campbell’s veterinarian collapses after accidentally injecting himself with a horse vaccine, Thea rushes to his aid. Despite her best efforts, the much-loved vet dies. In the wake of this tragic fluke, Thea reconsiders her own cautious approach to relationships.

Life, Thea decides, might be shorter than you expect, and procrastination a death-bed regret.

She immediately accepts her best friend’s last-minute wedding invitation and embraces the planning of her own marriage to fiancé Paul Hudson.

However, on return from her friend’s wedding, Thea has little opportunity to pursue her new philosophy. Her veterinarian’s death has been ruled a murder, his young assistant arrested and accused of deliberately substituting euthanasia solution for the West Nile vaccine.

The only person to believe in the assistant’s innocence is Thea’s sister Juliet. She intends to investigate and begs Thea for help. But Thea believes the case is closed and the police have arrest the right person. Besides, she intends to concentrate on planning her wedding.

…However, the chilling fact is Thea was right about life being shorter than expected. Procrastination is not on the killer’s agenda.

http://tinyurl.com/qauup5a

. . . . .

Susan can be run to earth at most bookstores and ebook retailers, as well as the following locations;

Susan Schreyer Mysteries website: http://www.susanschreyer.com

Things I Learned From My Horse blog: http://thingsilearnedfrommyhorse.blogspot.com

Writing Horses blog: http://writinghorses.blogspot.com

Twitter @susanschreyer

FaceBook: Susan Schreyer Mysteries

http://www.facebook.com/pages/Susan-Schreyer-Mysteries/161359303906634

Categories: Books, dressage, Horses, Mystery, riding, Romantic suspense, suspense, training horses, Uncategorized, writing | Tags: , , , , , , , , , | 13 Comments

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